![]() ![]() In that respect, even a move like getting Dave Sitek to produce your album on a label best known for Amon Tobin isn't excessively out-of-nowhere. Every few years it seems like she's had to find a new voice and a new audience to go with it. We're 15 years out from the cult-hit success of Kaleidoscope and “Caught Out There", more than 10 years since “Milkshake” hit #3 on the Hot 100, and four years since the ahead-of-the-curve electro/house-leaning Flesh Tone left her with a one-and-done Interscope run that remains one of pop's lingering “how did this get overlooked?” mysteries. One of these days there'll be the definitive retrospective written about how Kelis somehow managed both a solid run of great songs and an impenetrable run of rotten luck.
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